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- MEDIA 100 SUITE REQUIREMENTS PDF
- MEDIA 100 SUITE REQUIREMENTS SOFTWARE
- MEDIA 100 SUITE REQUIREMENTS TRIAL
MEDIA 100 SUITE REQUIREMENTS SOFTWARE
The render times were not long, and, as with any software editing program, the more memory you have, the better. We would like to have tried it with a number of different hardware configurations, both to confirm computability and to see if there are any performance differences. If you are familiar with timeline editing, then the learning curve is not too steep. All the tools were there – we just had to remember the Media 100 language (was it Cut, Divide, Split or Slice?), and the Guide helped us through with flying colors.
MEDIA 100 SUITE REQUIREMENTS PDF
I would miss background rendering (it is one of the few times I get to just surf the web for fun while a render is going on) but if enough people complain I would anticipate that would be one of the first things that gets upgraded.Īs we put the Media 100 through its paces, the PDF user guide was a great help. I was very impressed with the MultiClip Editing feature and will try using it on the next multi-camera project I have. Everyone has a different style of editing and some programs are more comfortable to your style.
MEDIA 100 SUITE REQUIREMENTS TRIAL
If you are considering upgrading to the latest version of Final Cut Studio or Adobe After Effects, then by all means, download the free trial and open up some of your existing projects to see how Media 100 Suite works.
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If you are in the market for a new nonlinear editor you should definitely give the Media 100 Suite a test drive. While working on this review, Contour Design ShuttlePRO V.2 settings for the Media 100 Suite became available, which we found to be a huge time saver. As more companies adjust their products to be compatible with this new software, you can expects more updates along the way. As with any 1.0 version, there are expected to be a few quirks-at times it seemed a bit sluggish switching back from other programs. Building on the experience of years of broadcast-quality hardware, the Media 100 Suite has positioned itself to challenge the big boys. The Media 100 Suite is the next step in an ever-changing market towards software-only editors. The Media 100 Suite has plenty of audio tracks to suit all but the most intense audio needs, and with the addition of Boris RED is a very powerful video editor. With a little Photoshop work, you can make a simple animation. We also discovered that when importing a group of pictures you can bring them in as one clip, making a quick and dirty way of making a stop-motion effect. It made me wish I had set up more cameras (or gotten additional footage from other parents) because it was so easy. It was then fun to switch between the two sources in real time, and with a little tweaking I had a finished show. I had two different angles, and within minutes I had both synced up and color corrected the two different cameras. I loaded in some footage I shot at my daughter’s first grade performance. One of the more powerful features is “MultiClip Editing”, the ability to sync up to nine different clips to simulate realtime switching between sources. Media 100 Suite is compatible with existing Media 100 products, so for those already familiar with the Media 100 workflow, there is a relatively short learning curve. Media 100 Suite also can exchange projects with Final Cut Studio and Adobe After Effects. Media 100 Suite supports Matrox MXO2, AJA video I/O cards, Media 100 HDx hardware, FireWire I/O, and Panasonic P2 acquisition. A full-feature two-week trial download of Media 100 Suite is available that can be purchased and unlocked, so you can get right to editing and trying out the software.
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